My style journey took a turn in the right direction when I discovered modeling paste and iridescent medium. The combination results in a shiny textured canvas and this has become some of the signature elements of my artistic style. But discovering this winning combination took some exploration.

How It Began

A few years ago, I came across a clearance sale of iridescent canvas at the local art store. I had never used canvas to paint before, but always wanted to, so this seemed like the perfect opportunity to try it out. I did not know (and had no way of knowing) that the iridescent canvas behaved a bit differently than regular canvas. Unlike traditional cotton canvas treated with gesso, it had a slipperiness to it. The paint interacted with it differently, rolling around almost as if I were painting on glass.

What intrigued me about this iridescent canvas was the idea of letting its surface shine through. I played with the idea, selectively using transparent paint or wiping away layers to create a stark contrast between the iridescent and opaque areas. This idea set off such a spark for me, I was excited to figure out all the ways I could play with layering with the lowest level, the surface, having its own unique shine. I was also encouraged by the fact that I did not see many others exploring this idea, and it distinguished my art in a world of countless creators.

However, there was a challenge that arose – the iridescent canvas was available in limited sizes, only 12”x12” and 9”x12,” and I wanted to start painting bigger. My painting process was being hindered on these larger cotton canvases because acrylic paint dries very fast on cotton canvas even with gesso applied. This led me to experiment with various materials to achieve the same effect on cotton canvas. I attempted to incorporate iridescent acrylic paint selectively into my paintings, but it failed to replicate the effect I desired. Then, I stumbled upon iridescent medium, a substance designed to be mixed with acrylic paint to imbue it with a sparkling quality. This medium could be bought in bulk, offered excellent coverage, and had a subtle impact on the drying time.

Around the same time, I had been observing fellow artists on Instagram who were adding texture to their canvases using modeling paste. However, most artists were opting for a subtle, barely noticeable texture. Inspired by their work, I decided to take things a step further. I began applying a thick layer modeling paste to the canvas followed by utilizing various materials to play up the texture, then once dry, added a layer of iridescent tint on top.

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I had found the secret sauce to transform canvas into the perfect surface for me to paint on.

While this method extended the drying time, it did away with the overly slippery nature of the pre-treated iridescent canvas. In fact, I now prefer preparing all my canvases in this manner, even retrofitting the iridescent canvas I already have to conform to this technique. It has become an indispensable part of my artistic process, a kind of ritual that marks the beginning of each piece.

The modeling paste not only introduces texture but also extends the drying time, granting me the space and freedom to explore, experiment, and create. With the iridescent medium, I can infuse my art with that touch of magic that sets it apart. It’s a process that allows me to weave my own unique narrative on each canvas, combining a little bit of grit and a gentle sparkle to bring my art to life.

Share any of your own experiments with materials in the comments.